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With the added relationship to the comic/anime, Blade of the Immortal succeeds both when dialogue slows down the action and when swords cling and clang to pick up the pace. The action is fierce and full of sword play from start to finish. It's a great combo and offered a bit more levity to the proceedings than I thought there would be in a movie about hacking and slashing its way from beginning to end. Kimura's portrayal of Manji is one of reluctance and dark humor. Her fervor in the film and committed performance really sells the silliness of it all. He meets little Rin played by Hana Sugisaki. Once we jump into the present nearly 50 years later, the story for him becomes a 'same crap, different day' kind of routine. A beautiful black and white segment starts the film off with as much backstory as you need in a film like this.
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He hires himself to protect a child, but when things don't go as planned, he suffers what someone of his culture deems to be a fate worse than dying dishonorably: immortality and not being able to die at all. Even if it won't turn any heads for originality, the story is laid out for all to see. Once again, Miike picks up the samurai sword to deliver a spastic, brutal, yet surprisingly deeply structured character story. I reviewed that years ago and gave it a glowing (4 1/2 stars). The most notable of the bunch is '13 Assassins'.
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It is quite the feat for a man who has really only released a handful internationally. This is a beautiful tapestry that needs to be seen.Blade of the Immortal caps director Takashi Miike's directing career at 100 films over his decade-long career. Again, all the elements are woven together so well that this film can go from one tone to the next without feeling inconsistent. There’s even a dose of humor sprinkled here and there that will blindside the audience, and get some hefty laughs from even the most stubborn of critics. It’s a tricky balance for any filmmaker to adapt a property like this, and Miike deftly pulls all the important elements from the manga together in a gorgeous tapestry that just works. This film is first and foremost, fun at all times, without sacrificing the seriousness of the plot, or the emotional through-line that keeps Blade of the Immortal from feeling like just a gore-fest. I nearly forgot to mention that! Blade of the Immortal is based on the manga of the same name, and that pulpy influence is felt in the best possible way in Miike’s adaptation. It’s an easily digestible film that rewards viewers that mull over the themes and core messaging, without punishing those who came for a blood-smeared romp that stays true to the manga. And, despite this, Blade of the Immortal never feels too cerebral or overtly graphic. This is a story of savage violence and revenge to be sure, but it’s framed within a tragic exploration of the honor-based culture of Japan, and the murky morality of both our heroes and villains. Now, Manji must use his skills as a swordsman and his immortality to help a young girl named Rin (Hana Sugisaki) avenge her father’s death at the hands of the Ittō-ryū, a brutal order of warrior’s intent on conquering every dojo in Edo. How did he become immortal? Well, after being labelled and outlaw for killing his master, and felling 100 men to avenge his sister, an old crone named Yaobikuni cursed Manji with the kessen-chu, sacred bloodworms that render their host immortal. Blade of the Immortal is the story of Manji (Takuya Kimura), an immortal samurai roaming around the Edo region of Japan.